Within the rhythmic realms of 'Waiting at Home' by The Wednesday Play, a vivacious dance unfolds, weaving post-punk threads with the vibrant hues of early 80s hip-hop and new wave. The style echos a deliciously jerky resonance reminiscent of the Tom Tom Club, entwining with the spiky elegance evoking memories of Gang Of Four's artistry. Tina Swasey's vocals, akin to the allure of Rapture-era Debbie Harry, contribute to the melodic palate.
As the music dances energetically, the lyrics delve into the depths of emotion, exploring the delicate balance between anticipation and the haunting specters of paranoia and insomnia. The nocturnal yearning for a late-night telephone call finds expression in each note and lyric, creating a visceral experience.
The craftsmanship of 'Waiting at Home' extends beyond the ordinary, with The Wednesday Play embracing a desire for musical creation outside the confines of the studio. Vintage drum machines and Sam Soper's hand-built synth become the alchemic instruments, enriching the sonic experience with a touch of nostalgia and innovation. Within this musical blend, the band's commitment to unconventional creation flourishes, casting a unique spell that beckons you to surrender to its enchantment.
Review by Thomas Imposter