Green Banana

  Dusker ’s new single,  “ Let’s See Ya ,”  is like being dragged into a mosh pit while someone recites poetry at you—chaotic, sharp, and strangely profound. Dropping January 8th via Peleton Records, this angular noise-rock track offers a tantalizing preview of their upcoming 2025 album,  Limb Rung Ladder . If The Fall had a hyper-caffeinated younger cousin who also dabbled in controlled demolition, it’d probably sound a lot like this. From the first note,  “Let’s See Ya”  comes out swinging with wiry guitars that sound like they’re trying to saw their way out of your speakers.  The vocals are a mix of punk shouting and cryptic spoken-word that could double as graffiti slogans. Somewhere out there, Mark E. Smith is probably nodding in approval. But just when you’re bracing for more sonic haymakers, Dusker takes an unexpected detour. Midway through, the track downshifts into a sedate, almost reflective moment, as if they’re letting you catch your breath...

  Lebanese band GLIDDEEE kicks 2025 in the teeth with “ SUPERTASTEUR, ” a riotous indie-punk anthem that sounds like it was recorded in a garage—and that’s precisely the point. Angular guitar riffs stab at your eardrums with joyful aggression, while the bassline stomps around like it owns the place. The drums? They’re not just keeping time; they’re demanding a full-scale revolution. The vocals? Oh, they’re distorted to perfection, sounding like someone shouting through a megaphone at a punk rally where nobody knows the lyrics but sings along anyway. The absurdist lyrics are a cherry bomb on top, making you wonder, “Is this nonsense, or am I just not cool enough to get it?” Spoiler: it’s both. “SUPERTASTEUR” is pure chaos in sonic form, the kind of song that makes you want to punch the air—or maybe your own reflection, just for kicks. It’s tailor-made for punk parties where the floors are sticky, or for powering through a workout when you’d rather be eating chips on the couch. GLID...

  In the whirlwind of the festive season, where time rushes and to-do lists overflow, Springwell ’s  “Salt”  feels like a whispered remedy, a pause carved from the chaos.  The fifth track of their latest ambient collection, it unfolds as a soundscape of serene beauty, offering solace to the overburdened soul. At its core, “Salt” hums with a deep, resonant drone, a foundation as steady as the earth beneath your feet. Ephemeral, yet profoundly soothing.  Adding to its elemental charm is the whisper of winds recorded along the rugged shores of the North Sea. This subtle touch infuses the track with an organic vastness, conjuring images of endless skies and restless waves. It’s as if the piece carries the breath of the ocean, wrapping it around you in a quiet lullaby. “Salt” is a sonic sanctuary, a haven for moments of reflection or simple respite. It doesn’t demand your attention but gently invites it, offering a retreat from the bustling world into a realm of calm...

  Juicy Brown Music has decked the halls—and the dance floor—with their jungle remix of  " God Rest Ye Merry Gentlemen ,"  and it’s safe to say Christmas will never sound the same. Forget chestnuts roasting on an open fire; this track is more like candy canes spinning on a turntable. It’s festive, it’s funky, and it’s the musical equivalent of your drunk uncle busting out a surprisingly decent worm after one too many hot toddies. From the first beat, it’s clear this isn’t your grandma’s holiday playlist. The solemnity of the original hymn gets turbocharged with breakneck jungle rhythms and a bassline so bouncy, it could make Rudolph ditch his sleigh for a rave. There’s just enough of the traditional melody to keep the purists from fainting into their mulled wine, but the cheeky and unpredictable twists make it a carol for the chaos of Christmas morning. A Christmas scene- the family’s gathered, the turkey’s in the oven, and suddenly, this track drops. Grandma’s toe-tappi...

  With their debut single  1 L0V3 Y0U L1G3T1 , Komuna Collective takes a deep bow to György Ligeti while simultaneously turning classical music on its head and giving it a noogie. Equal parts string quartet, electronic experiment, and chaotic jamboree, this track is what happens when high art decides to let its hair down and throw a party. Ligeti’s DNA is everywhere in this piece. From his iconic ostinatos and harmonic progressions to a cheeky cameo by the cacophonous car horns of  Le Grand Macabre , the track is basically a love letter to the composer—written in wild scribbles and occasional crayon. They even sprinkled in audio clips from Ligeti’s seminars, because why not turn academia into a vibe? But don’t be fooled by the intellectual references—this isn’t your average starchy classical homage. The string quartet darts and dances like it’s had one too many espressos, while the electronic elements glitch, zip, and zap with the energy of a caffeinated robot. And just ...

  UK punk/alt-rock outfit proFESSional has dropped  Madam G , a track so fiery it could set off a smoke alarm. Packed with bright, searing guitar riffs and rocket-fueled energy, it’s a wild ride through the messy crossroads of desire and morality. Think of it as the soundtrack to every bad decision you’ve ever made—but in the best way possible. The song doesn’t ease you in; it kicks down the door with enough force to scare the neighbors. The guitars are relentless, and the vocals? Pure grit with a side of urgency. There’s no time for pleasantries here— Madam G  is all about confronting uncomfortable truths, like that moment you realize your moral compass might need a tune-up. The chorus is an electrifying punch to the gut, dripping with tension and rebellion. It sticks in your head like that one embarrassing thing you said in 2012, but way more fun. And while the band keeps things punk-raw, they sneak in just enough melody to make it dangerously addictive. With  Mad...

  NSTD ’s “ The Mysterions ” is like being locked in a steel-walled room with your bass-cranked friend who’s just discovered the darkest corner of industrial electro. Right from the start, you’re hit with grinding, chest-thumping beats that seem custom-made to mess with your head—or more specifically, your cerebral cortex. This is music for people who think earplugs are for quitters. And just when you’re trying to get a grip, in drifts a voice sample—murmuring tantalizingly like it knows something you don’t. It’s cryptic, it’s haunting, and it lingers like an echo you can’t shake. The beat builds with a slow-burn intensity, inching up in pressure until you’re practically climbing the walls waiting for that final, brain-rattling crescendo. For fans of the old TV show  Captain Scarlet , the title alone is like a wink—and “The Mysterions” doesn’t disappoint in delivering that same sinister, sci-fi vibe. Conjuring images of Captain Scarlet in a gloomy industrial club, nodding alon...

  Edictum ’s “ Mars ” doesn’t just play; it seethes and prowls, churning a futuristic darkness where cyberpunk pulses through every beat. Inspired by Gustav Holst’s ominous “Mars” movement but reframed for a dystopian landscape, this track abandons the classical in favor of raw, industrial aggression. It’s less a tribute to the original score and more a descent into a mechanical war zone, where every note is a weapon and each beat is a pounding echo of conflict. Rather than mimicking Holst’s orchestral fury, Edictum channels the essence of Mars—the god of war himself—in distorted waves of synth and relentless bass. A dark atmosphere coils around the you as the track builds, a grinding march that escalates with fierce, unrestrained energy. You’re led into a sonic labyrinth of agony and wrath, where twisted screams become the visceral cries of battle, embodying war’s savage climax. This isn’t merely a song; it’s a full-body experience—a track that grips you and drags you under, pulsi...

  Posthuman 's " Millions " feels like a dark siren song, luring listeners into a world where pleasure and destruction intertwine. It’s gritty and seductive, driven by grinding, dirty synths that pulse with an almost primal energy. There’s a slick, pop sheen, but beneath that glossy surface lies something far more sinister—an undercurrent of indulgence teetering on the edge of collapse. The vocals are hypnotic, dripping with allure, as if whispering promises of ecstasy that you know are too good to be true. The song paints a vivid portrait of excess, where the soul finds itself entangled in fleeting highs, only to spiral into the inevitable decay that follows. It’s the allure of filth, a gleeful dance in the shadows where the line between pleasure and ruin blurs dangerously. "Millions" isn’t just a track; it’s a journey into the seductive depths of industrial-pop, where beauty and degradation coexist in a delicate, twisted balance. For fans of Depeche Mode, Nine...

  ILĀ ’s " murmur with ai.mogen (Imogen Heap) " feels like a whispered conversation between worlds, where human voices entwine with the digital, creating something at once familiar and alien. The track is a delicate fusion of organic and synthetic, blending the soulful nuances of ILĀ and Imogen Heap with the ethereal presence of ai.mogen, an AI manifestation of Heap herself. It pulses with an otherworldly energy, a sound that hovers between haunting and hypnotic. The real magic of "murmur" lies in its manipulation of the human voice. Using AI-driven vocal timbre transfer technology, the distinct qualities of ILĀ and Heap’s voices are seamlessly swapped, creating a strange, beautiful fusion that blurs the lines between the artists. Portrait XO’s work with DDSP models brings an eerie depth to the track, crafting a sonic landscape that feels both intimate and distant, as if the voices are reverberating in the corners of your mind. As the production unfolds, layered wit...